TICKETS ON-SALE NOW FOR A SEASON OF SENSATIONAL STORIES INCLUDING SEEDFOLKS, THE WATSON’S GO TO BIRMINGHAM-1963, AIRPLAY AND PREVIOUSLY ANNOUNCED THE BEST SUMMER EVER! & DON’T LET THE PIGEON DRIVE THE BUS: THE MUSICAL!
Get ready for fairytale farce! Wolfgang, the greatest actor in the world, is preparing for the performance of his lifetime in the “true story” of Red Riding Hood when a delivery driver carrying a mysterious package interrupts his rehearsal.
Dear non-theater kid,
Today is a great day, because you are reading this letter. I know theater can be scary, because who wants to put themselves in the spotlight all the time? Or memorize text to then trip over your words in front of everyone? The good news is you won’t have to go through this when you take a Masterclass at Seattle Children’s Theatre.
Meet Virtual Teaching Artist, Chanel Gomaa. Chanel (she/her) holds a BA in Theatre Studies from the University of Central Florida, and has worked in multiple capacities with companies such as the Wekiva River Players, the Athens Theatre of Deland, the Flagler Playhouse, the Orlando Repertory Theatre, and more.
SCT’S NEW ARTISTIC ADVISORs CIRCLE PUSHES STATUS QUO, REIMAGINES ARTISTIC LEADERSHIP AND COLLABORATION IN TYA FIELD
Seattle, Wash.-- Seattle Children’s Theatre in pleased to introduce the SCT Artistic Advisors Circle; a cohort of five theatre leaders joining SCT to make artistic decisions for the upcoming 21-22 and 22-23 seasons, as well as advocating for new work development to support the Theatre’s pipeline during the Artistic Director search.
Whether it’s trekking through the Jungle in an August Drama Quest class, preparing for our reopening, or gearing up for School Year Drama School, this August, we’re feeling ready for adventure.
Seattle Children's Theatre (SCT) is proud to be one of the most prominent theatres for young audiences in the United States and the world. Our mission is to provide children of all ages access to professional theatre, with a focus on new works, and theatre education. For many children, we are the first, and sometimes, sole, exposure they have to live theatre.
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